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Wang Yang's language vividly portrays a bloody, violent punishment, and the imagination of the sky and the sky is fascinating with a sorrowful, sorrowful cat. This Mo Yan's "Sandalwood Punishment", with its distinctive narrative perspective and unconventional writing skills, hits the deepest shouts of the human soul, reading it, embarrassing, shocking, and shocking. It is the three parts of the crested head, the pig's belly, and the leopard tail. The conversion of the person's name is free, and the exaggeration of the details enlarges the plot of each small part to a more relaxed degree. The multiple intakes of images such as beads and sandalwood enhance the thick texture of the story and also make poetry and dilution of all kinds of violence. The most important thing is the ��cat cavity�� that wears the needle lead. Throughout the whole, the lead sings are absolutely loud, and the story is complemented and colorful. It achieves a powerful and powerful rendering effect in the art, forming an aesthetic style of ��artificial style��. The high-density Maoqu tunes are simple and natural, and the chanting is euphemistic and sorrowful. "After going straight into Qingyun, how many sorrows and sorrows come at this time", it has a strong sense of life and folk culture. As a kind of vocal in traditional Chinese opera, "Cat Cavity" is combined with literary works, which not only adds a Chinese flavor to the violent aesthetics of "Sanlu Penalty", but also establishes an identity for the breadth, depth and height of the story. The big pessimism, the horse-riding tone, the doll cavity, the drunkenness, etc. are the generalization and extravagance of the following emotions. The human mind is soft, sensitive and fickle, and the human heart is like a ghost. The turbulent and undulating tone of the "cat cavity" changes the tension between the human heart and the violence. It is advisable to interpret the virtuality of Sandalwood Penalty and Sandalwood Penalty from the three major artistic features in the "Cat Chamber" drama: virtual, programmatic, and comprehensive. It is a flexible treatment of the distortion of the story, which stems from life. It is higher than life, and the virtuality has made the imagination and creativity more unprecedented. It is neither empty nor true. The author's purely zero-degree emotional intervention Marlboro Gold, the realistic and calm narrative method, makes us feel a little warmth and temperature, but it seems that there is an invisible force firmly absorbed, and can't help but fall into the subversion of value. The shackles of Wang Wang Lian, Ling Chi, Yao Lu, Sandalwood, and so on, act on the human body and directly bring painful insights. The eunuch worms endured the shackles of the king, the eyes were violent, the brains and blood were oozing out Cigarettes Online, the gauntlets were numb, and the performers were calm and self-satisfied Marlboro Red. The pleasure of killing people has made them hearty and forgetful, went to extremes, and went astray. . Sandalwood was nailed with a sandalwood scorpion from the valley (anal), drilled out from behind the neck, and then tied the man to the tree, not to die for three or four days, only to endur
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